Category Archives: art and culture make good business

Day of Absence Solidarity

Letter from Avvy:

avvybio

Wendell Mortimer  
Avion’s Ent. ®    
Matthew Town,  
Inagua, the Bahamas

February 08th, 2009

 
To Whom It May Concern:

      Absence of art ….. A concept very difficult to play out in the mind; A Bahamas without “Goin down Burma Road”… A Bahamas without “Bookey and Barabbi…” That I can’t imagine. For too long this movement has been a thorn in the sides of Bahamian artist, and for too long we over analyze, asking ourselves

  • Why am I not where I want to be?
  • Did I make the right career decision?
  • Am I the only artist experiencing these up-hill battles?

   Well now is the time for us to answers these questions publicly as one… (Unified). Please note that this movement is not a cry to the public for a handout, or a plea to the government to welfare our dreams, but only to make it known to our citizens that there are some people in our country who we like to label ” The Powers To Be” whom do not value our contribution to our culture. Also there are many among us who are not open to change who wear the tattoo “set in there ways.” These two groups described, overtime have helped keep artist down by ways of divisiveness and poor attitudes.

   I think that this long-standing mentality has played itself out and must come to an end, and I feel that this is the time for action. My name is Avvy (Bahamian songwriter and performer) and I support this movement.

 

_______________________ 
W. Mortimer (Avvy)

Hear, hear.

More support below the fold. Continue reading

Day of Absence: 11th February

In 1965, an African-American playwright by the name of Douglas Turner Ward wrote a play he called Day of Absence, which told the story of a small town — any small town — in the Deep South in which the white inhabitants discover on a particular day that all the black people have disappeared.

When this fact becomes general knowledge, the establishment comes to the brink of chaos. Without its black labor force, the town is paralyzed because of its dependence on this sector of the community.

Part of the reason I agreed to take the job of Director of Cultural Affairs, and much of the reason I left, was that, in many ways like African-Americans in the 1960s USA (and black Bahamians, and people of African heritage the world over), cultural workers in The Bahamas — artists, musicians, writers, actors, directors, dancers, designers, craftworkers, you name it — are marginalized, disrespected, and taken for granted in our nation.

Thirty-six years after independence and forty-one years after majority rule, creative workers in our country are unable to find work in the areas in which God has gifted them. There are virtually no avenues in The Bahamas to enable creative people to develop and hone their talents, or to enable them to make use of them when they are developed. Our greatest brain drain is arguably in the area of the arts; like Sidney Poitier over sixty years ago, Bahamians who want to exercise their talents in the cultural industries are faced with the choice of pursuing their callings as hobbies at home, or of leaving home to make a living by their gifts elsewhere. And we are all the poorer for it. 

That we appear to be unaware of the absurdity of this state of affairs in a nation which welcomes several millions of tourists to our shores annually is indicative, to my mind, of our abject conviction as a people that Bahamians, and particularly Bahamians of colour, are congenitally unable to produce, behave, or perform at any level that could possibly be considered world-class, and that it is a waste of time, money and effort to believe anything else.

Continue reading

Announcing tongues of the ocean

 

tongues of the ocean is an online literary journal of Bahamian, Caribbean and related poetry. We’re an affiliate of the Bahamas International Literary Festival, but BILF isn’t responsible for what we decide to do (so don’t blame them!). We publish three times a year - in February, June, and October. We reserve the right to be picky about what we publish. For now we’re focussing on poems and poem-related material, but that could change. Interested in submitting? Read here for more details.

Here’s some of the stuff we’ll be including in tongues:

writers on writers - writers talk about the work of another writer. Like a review, only hotter. Bahamians & residents only, to begin with, but we’ll get friendlier as we go on. We’d like to start with a focus on Bahamian and Caribbean greats.

bredren and sistren - section for Caribbean and Southern US writers, for West Africans – for our siblings and cousins in the diaspora, and for our spiritual kin around the world. We reserve the right.

catch a fire - in every issue we’ll include a section inspired by word prompts, which we’ll post with the call for submissions.  For now, this is the only place we’ll accept fiction, and only flash fiction (for our purposes, fiction under 300 words). Prose poems are welcome. Transgress boundaries. Push.

Editor-in-chief: Nicolette Bethel
Spoken Word: Nadine Thomas-Brown

(Blurb taken from the “about us” page of the journal. Logo photograph by Eric Rose.)